Diwan-I-Am
The journey to the royal palace begins with Diwan-I-Am or the Hall Of Public Audience. This hall was also used for celebrations and public prayers. It has cloisters on three sides of a rectangular courtyard. To the west is a pavilion with the Emperor’s throne. Beautiful jali screen on either sides separated the ladies attending the court.

Diwan-khana-I-khaas
To the right is an apparently looking two storeyed building, with corner kiosks, known as diwan-khana-I-khaas or Hall Of Private Audience. On entering it, one finds only a single vaulted chamber. In the centre stands a profusely carved column supporting a collosal-bracketed capital. Four narrow causeways project from the centre and run to each corner of the chamber. It is believed that Akbar’s throne occupied the circular space over the capital and the corners were assigned to the four ministers.

Turkish Sultana’s House
To the left of the Pachisi Board is the Turkish Sultana’s house. The house, as its location at the corner of Anup Talao shows, was a pavilion for repose, attached to the pool. The geometrical pattern on the ceiling is reminiscent of Central Asian carvings in wood.

The Treasury
To the left of the Diwan-I-Khaas is the Treasury or Ankh Michauli, once believed to have been used for playing the game, comprising three rooms each protected by a narrow corridor which were manned by guards.

Daulat khana-I-khas
Located in the corner to the left is the emperor’s private chamber. It has two main rooms on the ground floor. One housed Akbar’s library while the larger room was his resting area. On the first floor is the Khwabgah or the bed-chamber. It was connected with the Turkish Sultana’s house, the Panch Mahal, Mariam’s House and the Jodha Bai’s palace by corridors.

Palace of Jodha Bai
To the left of the Sunehra Makan is the largest and the most important building in the royal palace, named after Akbar’s Rajput wife, Jodha Bai. This spacious palace was assured of privacy and security by high walls and a 9 metre guarded gate to the east. The architecture is a blend of styles with Hindu columns and Muslim cupolas.

Hawa Mahal And Nagina Masjid
To the right of Jodha Bai’s palace is Hawa Mahal, the Palace of Winds. This small-screened wind tower faces the garden and is attached to the palace. The garden is laid out in the Char Bagh style with straight walls intersecting at right angles and divided by shallow channels.

Fatehpur Sikri§ Birbal’s Palace
To the north west of the Jodha Bai’s Palace is the 2 storeyed palace occupied by Akbar’s two senior queens- ruqnayya begum and salima sultan begum. It has two storeys-four rooms and two porches with pyramidical roofs below and two rooms with cupolas and screened terraces above. The building combines hindu and muslim atyles of srchitecture.

Sunehra Makan
Opposite to the Diwan-I-Khas is the palace of Akbar’s Rajput wife, Mariam-Uz-Zamani. This two-storeyed building is richly adorned by gold murals in Persian style. The beams have inscriptions of verses by Akbar’s brother, Faizi.

Panch Mahal
To the right of Sunehra Makan is the elegant, airy 5 storeyed pavilion, the Panch Mahal. Each floor over here is smaller than the one below and it rises to a single domed kiosk on top supported by four columns providing a magnificent view of the city and its environs.

Dargah Of Sheikh Salim Chisti
To the North of the Mosque is the Dargah of Shaikh Salim Chishti. This Dargah was built in 1570. Here, childless women come for blessings of the saint. Even Akbar was blessed with three sons, when he came here. The lattice work in the Dargah is among the finest to be found any where in India.

The Jama Masjid
One of the largest mosques in India, Jami Masjid was built in 1571 AD. Inside, there is a vast congregational coutyard. To the right, at the corner, is the Jammat Khana Hall and next ot this is the tomb of the royal ladies. To the left of the Jami Masjid is the Stone Cutters’ mosque, the oldest place of worship at Fateh Pur Sikri. It is entered through the eastern entrance known as the Buland Darwaza.

Buland Darwaza
This gate can be approached from the outside by a 13-metre flight of steps which adds to its grandeur. The gate erected in 1602 AD to commemorate Akbar’s victory over Deccan is the highest and grandest gateway in India and ranks among the biggest in the world.

Fatehpur Sikri was the temporary capital of Emperor Akbar, of the Mughal Empire, between 1570 to 1586. It is a perfectly preserved deserted city. It is 40km west of Agra and is a popular and interesting place. Emperor Akbar was emperor from 1556 to 1605.

Fatehpur Sikri was the capital of the Mughal Empire for fifteen years. It was then moved back to Agra. It is believed that it was deserted because of lack of water, but the exact reason is unknown. What is left are a perfectly preserved old palace area, and an impressive mosque. It was not rediscovered until the 19th century.

Most people visit Fatehpur Sikri on a day trip from Agra.

The name of the place came after Mughal Emperor Babur defeated Ranga Sanga in a battle at a place called Sikri (about 40 KM from Agra). Then Mughal Emperor Akbar wanted to make Fatehpur Sikri his head quarters. So he built this majestic fort. But due to shortage of water he had to ultimately move his HQ to Agra Fort.

The site is founded by Akbar the great, who at 26 years did not have a heir. He went to a saint, Shaikh Salim Chishti who lived in a city called Sikri. His blessing gave Akbar 3 sons. As a gesture, Akbar built a whole new city in Sikri.

It was built between 1569 and 1585 and was intended to be the joint capital with Agra, but was soon deserted because the water system could not support the any residents. It remained untouched for over 400 years now and its palaces are a remainder of the extravagance of the Mughals.

Places To Visit in Fatehpur Sikri

Jama Masjid or the Friday Mosque : Also known as the Dargah Mosque, this is said to be a copy of the main mosque at Mecca. Its noted for its design which has persian and Hindu elements.

The monumental 54 m high Buland Darwaza, the Gate of Victory, is the main entrance. It was constructed to commemorate Akbar’s victory in Gujarat. A koranic inscription upon it read, “The world is a bridge, pass over it but built no house upon it. He who hopes for an hour, hopes for Eternity, for the world is but an hour”. Just outside the gateway is a deep well wherein local daredevils leap from the top of the entrance into the water. The Shahi Darwaza is the official entrance, where licensed guides can be hired.

Tomb of Shaikh Salim Chisti : The tomb visited by many seeking ful filment of their wishes was built in 1570. The carved marble lattice screens (jalis) are simply remarkable. Within the courtyard is the another tomb of Islam Khan, the saint’s garden.

Palace of Jodha Bai : This was the principal harem wing for Akbar’s Hindu wives, over which Jodha Bai, mother of Salim (emperor Jehangir) presided imperiously from her spacious purdah – screened salon. The architecture of the building is a blend of styles with Hindu columns and Muslim cupolas The walls of the Hawa Mahal or Palace of the winds are made entirely of stone latticework.

Birbal Bhawan : This casket like palace belonged to Raja Birbal, Akbar’s brilliant Brahimin prime minister, one of the “None Jewels of Akbar’s Court”. The palace fronts onto the Lower Haramsara, which was once believed to be an enormous stable with nearly two hundred enclosures for elephants, horses and camels.

Karawan Serai and Hiran Minar : The Karawan Sarai was a large courtyard used by visiting merchants. The Hiran or Deer Minar is said to have been erected over the grave of Akbar’s favourite elephant.

Palace of the Christian Wife : There was a reperate abode for Akbar’s Christian wife from Goa, Maryam, located close to the Jodha Bai Palace. At one time it was gilded throughout, earning the name the Golden Facade.

Panch Mahal : A five storied architectural marvel and Akbar’s personal citadel of pleasure, where he would spend his evenings with the ladies of the harem. Nearby is the Astrologer’s seat, an ornamented pavilion where the resident astrologer played an important role in day to day court life.

Diwan-i-Khas : Fatehpur Sikri’s architectural gem, this structure is unique for its interior decoration. This single vaulted chamber is dominated by its massive central Lotus Throne Pillar that supported Akbar’s throne. This stone column support a flat topped dome which is 6 m high.

Diwan-i-Aam : This hall of public audience was designed for large public gatherings. Nearby is Pachisi courtyard, where akbar and his courtiers used slave girls attired in brilliant dress as piece of pachisi (a game similar to ludo), moving when ordered on a giant marble board.
Itmad-ud-daula’s Tomb, Chini-ka-rauza, Ram Bagh, and Fatehpur Sikri.